Now just add some blue into the image using the Correction panel. Invert the selection, and add some blur to take care of any artifacts or flickering. Use the color picker tool and select the subjects skin tones, then use the range selector tool and refine your selection until you’ve got all of their skin and (situation depending) their hair. Select the skin tones by using the HSL Secondary tab in the Lumetri Color panel. Teal and orange are on opposite sides of the color wheel, and by accentuating them you’re adding a nice contrast, one that we’re all used to since they literally do it in every movie.īut if you’re not shooting in raw or with a full color codec, it can be a little tricky to do without affecting all of the other colors in the image. Our friends at have some great tips to get your color grading right, right inside of Premiere Pro.Īdding a subtle teal and orange grade to your footage can really help the skin tones of the subjects in your footage, and make them stand out. So It isn’t a surprise that even though Adobe continues to expand the Lumetri panel that Premiere still isn’t best known for it’s ability to handle professional color grading. Graphics in Premiere are super fast, but if you’re trying to do something specific you’d better take it over to After Effects. It makes sound design and audio mixing fun and easy, but not through the essential sound panel. It is a real joy to edit with, but there are plenty of quirks you’ve got to work around. Adobe Premiere Pro is an editing application that can do it all but like every other jack-of-all-trades, it can sometimes be a master of none.
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